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cinema cameras
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mitchell BNCR
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fastax
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camera support
worrall geared head
houston fearless cradle head
fearless panoram dolly
mcallister hydraulic dolly
mathews tulip crane
meccanica italiana crane
cinema post production
telecine
cinema post production equipment
moviola 16 upright editor
graflex/palmer 16 mechanical interlock
devry 35 mechanical interlock projector
audio
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mini moog synthesizer
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The particular head pictured is LT-1-1060 ser. 244. It has two speed transmissions for both pan and tilt. It features a trimable 5/8ths threaded (springed plunging) pin to attach the camera with, and has a mitchell mount for attaching to support. The control wheels are detachable for transport and both gear sets can be totally disengaged to reduce the risk of damage in transport. The head can manage weights up to 200lbs, with the camera properly balanced on the head. 
A major advantage to using a geared head is the precision with which cameras moves can be duplicated. By expressing camera moves in terms of number of rotations of the pan and tilt controls moves can be copied precisely from take to take. This method also makes for smooth pans on animation sets, where the pan can be broken into fractions of a rotation for each frame.
Worrall heads are very heavy and difficult to use. It takes many days, weeks, even years of practice to become proficient at keeping a camera trained on moving subject using the Worrall head.